New Age Narcissism // An In-Depth Update

New Age Narcissism // An In-Depth Update

Milwaukee collective N.A.N.

(New Age Narcissism)

have been releasing plenty

to hold us over as of late.

I'm going to try to play

catch up in this article,

so pardon me if I missed

anything crucial.

Let's first begin with

'Until They Berry Me',

a short film directed by

Cody LaPlant and Damien Blue.

The two have handled plenty

of music videos in the past,

but this is their first

proper short film.

As far as I know.

Starring the members of N.A.N.

(in particular, Lorde Freddee)

as well as Mic Kellogg,

Zed Kenzo, and more,

and with a deeply

moving/haunting score

courtesy of Q the Sun,

the eight minute piece

is one that will make you shiver.

The short is particularly

impressive for moving

the audience without

dialogue, instead

with action and music.

Music.LexAllenProductions.com Lex Allens 'Mamas Boy' turns the earth shattering pain from losing his mother almost a year ago, into a heartfelt memorial with his emotional tenor voice, vivid lyrics and uplifting piano driven beat. It's the perfect soundtrack to healing and finding the silver lining after a tragedy.

Lex Allen

lost his mother

almost a year ago

and he turns that tragedy

into an uplifting

and moving pop song

known as "Mama's Boy".

Released only a few days

ago, the song drips emotion

and is a stunning contrast

to his upbeat capabilities

found on "Cream & Sugar".

Wow, that piano.

Wow, that voice.

Blow is love. Come get you some love. Written/Performed by Cameron "Lorde Fredd33" Henderson Produced by Demario "Different NOTE" Cheeley Mixed by Daniel Holter (Wire & Vice Studios) *From the upcoming/final LF album 33: The Execution*

The artwork says plenty

in regards to this song,

but Lorde Fredd33

plays around

with autobiographical

tales and subtle flexes,

flowing over minimal

production, turning his voice

into an instrument,

even switching everything

up on the final

30 seconds. Respect.

coulda been a low but i rose. all this shit is magic idk. vocals Arranged/Recorded/Mixed by Daniel Holter at Wire & Vice. (Milwaukee, WI.) vocals Mastered by Michael Kolar at Soundscape Studios (Chicago, IL.) Cover Art: Janice Vogt

WebsterX has been featured

on various tracks

this calendar year,

but the single

"Blue Streak",

produced by Four Giants,

is his first solo offering

of 2016.

With this track

came the announcement

of a distribution deal

through Closed Sessions.

It's nice to know

that Mr. Web is in good hands

with the independent

Chicago label.

Produced by: Mic Kellogg Mixed/Mastered: Mammyth Art Work: Janice Vogt

Earlier this fall,

NAN member Siren

released "Priestess",

a track produced

by Mic Kellogg

that I'm still spinning.

Hopefully we get an EP

or a full-length

from this talent

sooner than later.

This is a nice sequel

to "Queen Medusa".

Is this genre

considered witch-hop?

I hope so.

Along with producing

for most members of NAN

and providing the score

for the short film above,

Q the Sun

also works with teenagers

in Milwaukee through

various non-profits

in order to educate

about production and performance.

Over the summer,

Q teamed up with

Milwaukee Water Commons

to speak out on issues

surrounding water.

They even wrote and produced

a song, which you can find

up above. What

can't this group do?

I don't think

Kenny Hoopla

is technically N.A.N.,

but he is featured

in the short film above

and he has been going

wild on the music tip.

After releasing an EP

last month,

he followed it up

with the single

"MESS"

and it's too hot

to not mention

in this article.

Salute to N.A.N.

Salute to Milwaukee.

Four Line Tries // 001

Four Line Tries // 001

In this ongoing series, I will publish four line poems. Some as old as ceiling dust, others as new as rainfall. This is my first attempt. All of the imagery on this page is taken from the 2002 film Hero. Just because. 

Lightning chimes the clouds awake

a monsoon season of flying carpets

and dead camels who only stop spitting

when they're driving past graveyards

Icarus & Dragon, Sun & Moon // An Interview with Vagabond Maurice

Icarus & Dragon, Sun & Moon // An Interview with Vagabond Maurice

Vagabond Maurice. The name brought me in years ago, and the music kept me around. Last year's album, The Dragon Who Devoured the Moon, still makes the rounds in my iTunes catalog. In preparation for Maurice's upcoming album, Watching Icarus Fly (Nov. 24) and with two singles already available, I spoke with the Chicago MC about movies, books, Bossa Nova, Liberia, and everything else under the star that Icarus tried to reach.

further melding cosmic imagery through the often-melancholic spirit of autumn, the two arrive with a more energetic sound to the season.

Hey, how’s it going? Can you describe your surroundings right now?

At the moment I’m sitting at a desk, or at least the furthest corner of a desk, that is cluttered in music equipment, speakers, monitor and a keyboard. The first issue of the Black Panther comic book is settled on top of one of the speakers, and I’m drinking some black tea while listening to jazz music (Yusef Lateef as I type this, doing some music research and such).
 
For anyone unfamiliar reading this, explain yourself in a few sentences. Icebreaker shit.

Um, I’m an unapologetic Black Nerd who is literary like a motherfucker – to put it in the least amount of words.
 
What's a normal week look like for you?

It’s probably reminiscent of the Spike Spiegel/Cowboy Bebop scenario in the sense that there used to be a lot of freelance work and teaching I used to do. Now it’s composed of figuring out the next steps to making the music and writing life sustainable, so my days vary from creative to the practical.

Everyone has a story to tell. What’s your story? You can answer this as precisely or as abstractly as you like.

I don’t think I even get to mention this as often as I’d like to, but I’m the first generation born here in America. My parents are from Liberia. Funny story, they just retired earlier this year and moved back to Africa. Last thing my Pops and Mom said to me was, “Good luck” concerning the election. It’s also dope to have family out of the country, because my Pops always sends me articles about the US to read, so I sort of always have an outside outlook of our country too.
 
What’s the rest of the year looking like for you?

I’m bout to travel to the West Coast for the first time! Going to LA in December to hang out with Chinsaku and create. A brotha trying to stay up out the cold weather of the Midwest. Although I know it’ll be sort of cold in Cali (I mean, but really, what is even considered cold in Cali?) I know I’ll be good. Midwest tough skin, and all that jazz.
 
What have you been listening to recently?

A lot of Bossa Nova and Latin Jazz, and just jazz from different countries – a brotha just building up his chops is all.

Quick survey: favorite movie / favorite book / favorite video game.

Goddamn this a hard question. I’d have to narrow it down to Cowboy Bebop: Knockin’ on Heaven’s Door, Black Boy by Richard Wright and Chrono Trigger.
 
Do you have any advice for artists working on their craft?

Research, analyze and then practice your form, forreal. And make working on your craft a habit. Getting better at what you do is definitely work (that you may enjoy) but don’t forget it’s work. Clock in overtime for them ten thousand hours.
 
Do you have any final words/thoughts/shout-outs? 

“Jesus was black, Ronald Reagan was the devil, and the government is lying about 9-11.”—A rather stellar quote by Huey Freeman, of the The Boondocks.